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RODIER SINCE 1852
A story of materials, movement and style.
1852
EVERYTHING BEGINS WITH THE MATERIAL.
Rodier was born in Picardy, into a family of weavers. Very quickly, the House distinguished itself through its textile expertise and the quality of its fabrics. Before dressing women, Rodier was already dressing fashion. Its materials seduced the great names of French haute couture.
1916
JERSEY TAKES ITS FREEDOM.
Supple, lightweight, and comfortable, jersey is gradually leaving the utilitarian wardrobe to enter that of women.
Gabrielle Chanel worked with this material alongside Jacques Rodier and helped make it one of the symbols of a new silhouette.
Freer.
More mobile.
More modern.
CORSETS ARE DISAPPEARING. SILHOUETTES ARE MOVING. SO ARE WOMEN.
1954 —1956
COMFORT
BECOMES A LOOK.
Rodier imagines new materials that are soft, supple, and easy to wear. Then, the House reached a new milestone: it no longer just created fabrics, it now designed its own clothing. Knitwear became the heart of a wardrobe designed for real life. Simple, elegant, never constrained.
1966
TWIN-SET, MY LOVE.
The twinset became one of Rodier's signatures. An essential classic enough to transcend the years.
And free enough to never truly belong to them.
A SWEATER. A CARDIGAN. TWO PIECES. ONE SIGNATURE.
THE 80S
THEY ROCK IN RODIER.
Knitwear embraces color. Silhouettes make a statement. Women do, too.
Rodier supports a generation that works, moves, chooses, and curates its own wardrobe.
The House thus asserts a fashion that is vibrant, direct, and resolutely of its time.
TODAY
THE STORY CONTINUES.
Archives remain. Habits, much less so.
Today, Rodier revisits the codes that built its history: knitwear, the twin-set, color, beautiful materials, and an eye for detail.
Merino wool, cashmere, jersey, leather. Pieces designed to be worn often, paired freely, and kept for a long time.
